So I’m now 11 days away from spending a month on the road on my beloved Condor A350 motorycle – my first tour that I’ll be undertaking entirely on two wheels. I’ll be playing more than 20 shows, covering most of the US east of the Mississippi, ranging from Chicago to Baltimore to Tampa to New Orleans. I’ve spent the last 5 months planning for this tour, and I can’t even explain how excited I am.
One of the last things on my lengthy to-do list for this tour was to obtain a full motorcycle endorsement on my driver’s license. Since, up to this point, I had been travelling only in North Carolina on the bike, my temps were quite sufficient. Many states, however, will not recognize out of state temporary permits, so I had to get legal!
There were two ways I could go about this: take the DMV’s “road test”, which involves navigating a series of obstacles in their parking lot, or take the Motorcycle Safety Foundation‘s Basic RiderCourse. As I have not had a readily available parking lot, or the measurements for placement of the obstacles, I was not confident that I could ace the DMV’s test. As they only run the test once a week, I didn’t want to take the chance of not passing and not obtaining my endorsement before hitting the road. I also thought that it might give my loved ones a little peace of mind about my tour. Finally, I’d heard great things, even from experienced riders, about the class. So, a month ago I enrolled in the Blue Ridge Community College and signed up for the April 6-8 BRC.
Without going into extensive detail about the course, I will say that it was well worthwhile, and I learned a huge amount about maneuvering, techniques, safety, and handling emergency situations. I’d highly recommend it to any rider, even if you already have your endorsement.
At one point during the weekend (the class spans 3 days – a Friday night, and all day Saturday and Sunday), during a bit of downtime, several of us students were standing around chatting with Julia, one of the “RiderCoach” instructors. We were all talking about what we currently ride, or what kind of bike we’re planning to get. When it came my turn, I said that I ride a ’74 Condor A350, and explained how it’s a Swiss military motorcycle with a Ducati motor, how there were only 3,000 manufactured, and some other fun facts. She grinned and said, “You know, I’m not surprised that you’re the one who’s riding something I’ve never heard of. You struck me as a ‘none of the above’ type.”
I chuckled and smiled, but on the inside the gears were turning in my head – I’d never really thought of myself in those terms, but it struck me as a wonderful encapsulation of the way I generally approach life. I’ve always found great pleasure in discovering a different way to do or think about things.
I guess that explains why I’m touring on a motorcycle.
One decision I made over the weekend is that before leaving on tour, I’m going to swap my current half-helmet for a full-face affair. While what I’ve been wearing would likely save my brain (which I value quite a bit) in case of a collision, my face might not fare so well. I’d prefer to avoid plastic surgery if possible… even if I could fulfill my life-long dream of looking like a young William Shatner. On the other hand, I’ll be opting for a helmet without a face-shield, so I’ll still be rocking the goggles. Hey, if it’s good enough for The Toecutter, it’s good enough for me…
Here it is: Another week’s worth of my random thoughts about Star Wars, The Hunger Games, asparagus pee, viscachas and their wisdom, songwriting, and grammar nazism. Enjoy!
So I’ve commented in the past that my brain is a fun place to live. About a week ago, I decided that it would be amusing (for me at least!) to share some of those thoughts. I can’t promise that this will continue to be a daily thing, but for the moment I’ve got a lot of these floating around, so I present to you: The Mind of McFarland week 1 roundup!
Over the past week, I’ve been giving a lot of thought to my online identity, and the archipelagic nature thereof. I’d been having a difficult time reconciling the different aspects of my personality, and the related interests, into one cohesive whole. I’m a singer-songwriter, whose roots are in rock music, who has a deep and abiding love for the english language and uses words like “archipelagic”, who rides a motorcycle, who has great pride in his Scottish heritage, who is a unabashed geek in many areas – technology, graphic design, science (fiction and real-world), music… you get the picture. At various times I felt like I was allowing myself to express one or two of these facets of my personality, but never truly showing the “real me”.
After a discussion with my new friend Loren Weisman at the Millennium Music Conference last weekend, I concluded that something needed to be done about this. The solution, I realized with Loren’s help, was to bring harmony to my interests by celebrating the contradictions that make me who I am. If you’re reading this blog on my website, you’ll see emblazoned in orange letters above this post the four Michael McFarlands that at various times will rear their head:
Writer. Rocker. Biker. Geek.
Within a few minutes of our first meeting, Loren was also berating me for the fact that I didn’t have a logo. I pointed to the hand-drawn logotype that I’ve been using for the past year and a half, since I released my first EP, which he dismissed with, “That’s just a font. It’s got character, but it doesn’t sum up who you are.” So I had another challenge: how do I sum up those four aspects of my personality in one cohesive logo. I found myself lying in bed that night rolling ideas around in my head, and then all of a sudden it hit me: The McFarland Crest.
As you can see to the right of this paragraph, the crest of Clan McFarland (also written MacFarland, MacFarlane, Mac Parlain) is a shirtless dude with an awesome beard, clutching a handful of arrows and pointing at a crown, encircled by a belt with the motto “This I’ll Defend.” Or to put it in the language of heraldry, “demi-savage proper, holding in his dexter hand a sheaf of arrows, and pointing with his sinister to an imperial crown, with the motto, This I’ll defend” (Thanks Wikipedia!)
I’ve been a fan of that motto ever since I first encountered it several years back, and thought it was pertinent to the idea of what I was doing with this logo – proudly claiming the various aspects of who I am, and that I will stand behind them. As heraldry is one of the earliest examples of logo design, what could be more appropriate than to use that as the basis for my logo? I decided to take the “writer, rocker, biker, geek” idea, and abstract each of those concepts into icons. The pen, the rock’n’roll “devil horns”, the goggles I wear on my motorcycle, and the Vulcan salute. Live long and prosper.
Bringing the logo to life:
Since Made a Mess, I’ve hand-drawn most of the artwork related to my music with felt-tip markers, but none of those pieces began that way. I’m far more comfortable designing on a computer than with a pencil in my hand, so I began my process (as I did with all those other pieces) by creating a vector-based design in Adobe Illustrator.
When I felt I had the design to a point where I was satisfied, I saved it to a PDF, which I opened on my iPad.
I then wrapped my poor iPad in tracing paper, which I taped to the back with electrical tape – my artist tape was nowhere to be found. You work with what you have!
I took a screen shot of the vector image, and set it as my lock screen – the touchscreen works through the tracing paper, and I didn’t want to the image moving all over the place. Voila! A digital light table.
Traced the image with a Sharpie finepoint marker – took about 15 minutes.
Scanned that back into the computer, did a bit of tweaking in Photoshop & Illustrator to get the colors right while maintaining the hand-drawn feel, and here’s my final result, soon to christen bathroom walls across the country!
There is currently a 1974 Condor A350 motorcycle parked in my kitchen. It’s a motorcycle I bought a few months after moving to Asheville, North Carolina, in fulfillment of a desire I’d had for years. I’d ridden a few friends’ bikes in the past, but had never been able to justify purchasing one of my own. After moving to Asheville, I realized my situation had changed – I had paid off my car loan, as well as the last of my debt to my parents a few months earlier, my monthly expenses had decreased drastically, I was living only a few miles from the Blue Ridge Parkway (some of the best riding in the country), and was looking for an exciting new way to undertake my next tour. At last, I felt I could buy a motorcycle without a shred of guilt!
I looked into a lot of different types of bikes – Cafe Racers, Ural sTs, vintage Triumphs, Royal Enfields, and classic BMWs. Finally, I spotted a listing online for this motorcycle at a shop just outside of Atlanta. The next morning my roommate Chris & I got up bright & early and hit the road for Georgia. I fell in love with the Condor A350 immediately, and put a down payment on it that day. It took me the better part of a month to line up financing for the rest of the cost (that’s a whole other story, and would likely involve a good deal of griping and profanity), but finally I rented a motorcycle trailer from uHaul, and Chris & I made the trip back to Atlanta to bring her home.
A page from the newly-discovered manual
A few details for the motorcycle enthusiasts – it has a Ducati single motor in it, the same as was used in the late 60s Ducati Scramblers, but with a few tweaks to make it easier to service in the field. Dell’Orto carburetor, Marzocchi telescopic forks, drum brakes front & back. One neat feature is that the rear wheel can be removed without removing the chain, which should certainly make life easier in the case of a flat! It came with the original military-issue toolkit, which includes most everything necessary to work on the motorcycle. Also included was the most recent military logbook, with details on maintenance and records of every trip it made from 1991 until 2001, when it was finally taken out of service. I keep discovering new things about it, as well. After bringing it into the kitchen earlier today and starting to pull pieces off, I discovered a compartment in the bottom of the seat containing a tire pump and a leather pouch containing various documents and reference manuals – all in German, of course, but an undeniably cool discovery.
Oh, and I’m in possession of the first civilian title for this motorcycle. How I managed to get the state of North Carolina to finally issue me that title is another story fraught with weeping, wailing and gnashing of teeth.
Ah yes, but I still haven’t answered why this motorcycle is in my kitchen. As I alluded to earlier, I’ll be undertaking my spring tour entirely on the Condor, with my guitar strapped to my back. Call me a romantic, but that feels about as close to the ideal of the traveling minstrel as you’re likely to find, nowadays. I thought it would be prudent to give it an overhaul before taking it on a 3,600 mile journey, so Chris & I will be giving the engine a complete rebuild before I hit the road in late April, and will also be making a few additional tweaks to coax a little more power out of her. The only reasonable place we could find to do this was my kitchen!
So I’ve read through a lot of “best of 2011” roundups in various magazines, online and in print. Whenever I read through lists like that, I find myself questioning my taste in music, as rarely do any of my favorites find their way onto these lists. This year I decided to contribute my two cents to the conversation, and present my top 5 new records of 2011. So without further ado…
This was an 11th hour discovery for me. It was initially shared with me by my friend Jessica on the way to an ugly Christmas sweater party, so that should give you a good sense of when I first heard this album. My first impression – which held true through a thorough listening of the entire record – was that they reminded me of a hyperactive, beat-heavy modern Peter Gabriel, specifically from his Up era, and more specifically using the song “Growing Up” as a template. Though that description does certainly not encompass their entire sound, it’s the best I’ve got right now. There’s some indie, some dance-pop, some disco, and somehow I find myself to be incredibly productive while listening to them.
Standout tracks: Live Those Days Tonight, Blue Cassette, Hurting
If I’m to be honest, I should list both Fleet Foxes self-titled album and Helplessness Blues together, as I discovered them them both at the same time, and they quickly became some of my favorite mood music. However, because their debut came out in 2008 and not 2011, I can’t in good conscience include it. Since I found Paul Simon’s latest release a bit of a disappointment, Fleet Foxes have done a great job of filling my desire for gently melodic, meandering melodies with simultaneously sweet and melancholy harmony throughout. They also manage the feat of infusing the tracks with creative song structures and unusual instrumentation (do you know what a Marxophone is? Because I don’t…) without seeming overly esoteric and losing my attention.
A few years back, I thought the Foo Fighters might have lost me as a fan. When they released the single “Wheels” with their greatest hits album, I was actually bothered – not because it was a bad song, as if a generally less interesting group such as Train had released that very same song, I would probably have enjoyed it – but because it was below them, and entirely lacked the perfect blend of throat-ripping passion and soul-bearing intimacy that had kept me a fan ever since The Colour & The Shape. While this album does not quite unseat that masterpiece, Wasting Light won me back within the first 60 seconds of the opening track, and it’s by far the best thing they’ve released since Colour.
Standout tracks: Dear Rosemary, Arlandria, Back & Forth, I Should Have Known
I liked Mutemath before I’d ever heard any of their music, specifically because of Paul Meany – I’ve been a fan of his work ever since he was in Earthsuit a decade ago. MM’s debut was excellent, even if it felt perhaps a bit too manufactured. Their followup, Armistice, gave the impression that they were trying to shed the U2 comparisons garnered by their debut, but to my ears came across a bit too oblique, and lacked the sharp memorability of their previous songs. On Odd Soul they seem to have found a perfect balance, showing great creativity while still crafting huge, arena-ready tracks. I think they were listening to some Jamiroquai while writing this album – and that’s not a bad thing.
Standout tracks: Blood Pressure, Cavalries, One More
I concluded a few years ago that regardless of any measure of artistic merit, creativity, or originality, if I’m to be honest with myself the album I rank highest each year should be the one I listened to most. By that metric this record easily wins. Mat Kearney was an artist I’ve had some fondness for ever since his mainstream debut album Nothing Left To Lose, but I always had the impression that he didn’t know exactly what he wanted his music to be. That record contained a lot of awkward white-boy hip-hop influence, which was complete done away with in his sophomore effort City of Black & White. While City was a great listen, there was almost nothing memorable in a sea of adult-contemporary middle-of-the-roadness.
Young Love sounds like an incredibly talented songwriter finally finding a sonic home. It’s a veritable treasure troe of infectious beats, perfectly sparse samples, clever, self-deprecating love stories, and hooks that won’t leave your head for days on end.
Standout tracks: Count On Me, Learning to Love Again, She Got the Honey
So there you have it – my personal favorite releases of 2011. If you haven’t heard all these albums yet, I’d encourage you to do so – and I’d love to hear your top 5!
Claire (Lauren Ambrose) and Ted (Chris Messina) from Six Feet Under.
I originally posted this as a facebook status, but as I added additional commentary it started to sound like a blog post, so I thought I’d turn it into one!
Reading through end-of-year music roundups, it’s amazing the amount of pretension and “if it’s on mainstream radio, it must be bad!” present, especially in the responses. For years, I’ve considered myself a student of pop culture, which includes listening to mainstream radio and taking it at face value – it has good songs and bad. I always liked what the character of Ted Fairwell (played by Chris Messina) said to Claire Fisher (played by Lauren Ambrose, and a bit of a music snob) about top 40 in Six Feet Under, while a Kelly Clarkson song blared from his car speakers: “Sometimes, it just sounds so good.”
I finally found one person who shares my viewpoint, in the comments of this article:
“There’s one thing they’re not as confused about in Britain as we are here:
Folks, it’s okay to like pop music. Take a deep breath. Really, it’s okay. Some of it’s crap and some of it’s brilliant, just like indie.
Let’s not do this “Adele is grown up… Katy Perry is pop crap” thing.
Adele, with a straight face, has sung the following lyrics countless times:
“Sometimes it lasts in love, but sometimes it hurts instead.” If there’s a more juvenile lyric in the last 2 years, I haven’t heard it. (Several could tie for the award, but no one can outdo that one.)
Next, Katy Perry has some great pop songs. Get over it:
‘Firework’, ‘The One That Got Away’, and ‘Hot ‘n’ Cold’ are great pop songs.”
-from a post by Redistribute Wealth At This Time
As a songwriter, I work very hard to craft melodies and hooks that will get stuck in people’s heads. I try to never sacrifice sincerity or creativity to do so (in fact, the catchier the song, the more creativity it generally required – it’s far more difficult to condense and refine melodies than not), but at my core I’m a “pop” songwriter… And I can guarantee if I ever do become popular, music snobs will HATE me.
And I’m ok with that. 🙂
Hope you all had a great holiday. Be safe as you ring in the new year!
Yesterday I released a music video for my song Bottle Rocket. I thought about explaining the shooting of the video & what we did on July 3, 2011, but I think the video itself covers that well enough, so instead I decided to write about where the song and video came from, and why the very existence of the song is an anomaly.
In essence, I started, in my general opinion, in entirely the wrong place creatively: I envisioned the music video before I ever wrote the song.
Let’s rewind back almost a year, to December 31, 2010. I’d just been through what was without doubt the hardest year of my life (there’s no nice way to say it – breaking off an engagement’s a bitch), was in a relationship I desperately wanted to be out of, and as many do at the end of December, was hoping the next year would hold better things. That’s when my roommate Chris brought out the bottle rockets.
As we were lighting them off on my front porch, the tiny payloads of paper, powder, cardboard and wood became something symbolic to me. As I touched the flame to each fuse, I pictured that the rocket represented something in my life that I was holding onto – a painful memory, a plan that would never happen, a fear that I couldn’t move forward, or a regret for something I’d done. As they flew off into the night sky and burst one by one, I felt a physical lightening, as if little weights were being lifted off me.
When you experience something like that, you have to share it. For the next few weeks I walked around with a developing story in my mind – a group of people writing the things they wished to be rid of on slips of paper, taping them to bottle rockets and setting them off – and I realized that this was a perfect concept for a music video.
There was only one problem: I had no song in my catalog to pair it with.
Most songwriters have a standard way in which they create their songs, which varies widely from person to person. In almost all cases, I begin with a vocal melody, usually with one key phrase paired with it, that becomes the musical and conceptual heart of the song. Starting instead with a fully-developed visual story as the basis for a song was an entirely new way of writing for me, and if I’m being honest, a huge challenge. I spent the better part of two months writing and re-writing the lyrics – it was, in fact, an 11th hour addition to my album Waking Up Is A Letdown.
Once the song was finished… well, all that was left to do was throw one hell of a party.
I’m writing this in the Sao Paulo airport, while waiting for boarding to begin for my nine-hour flight to Washington DC, then an hour-and-a-half flight to Charlotte, a two-hour drive back to Asheville and I’ll be home!
My 6th day in Manaus (yesterday) kicked off with a lunchtime party at Marnie’s new in-laws house, a joint celebration for the birthdays of my new brother-in-law Yan and my father. There was grilled Tambaqui, sausage, and other meat, a delicious fish stew, and a keg of leftover Brahma beer from the wedding reception a few days previous.
More tasties!
Later on in the afternoon, a young girl at the party (who kept trying to speak to me in Portuguese, with very little success) brought out a bag full of popsicles, made from the local fruits – since over the past few days I’d first sampled Cupuaçu juice, then picked a Cupuaçu right off a tree by my sister’s country home, I thought it only appropriate that I should same a Cupuaçu popsicle. It was predictably delicious.
A cupuaçu popsicle.
I took my leave of the party in the early afternoon to sleep for a bit, because I was feeling a bit worn down, and Angelic – one of the new friends who took me to the Boi-Bumbá festival – had invited me to join her horseback riding that night. Angelic (pronounced: Ahn-zhe-LEE-kee) works for the Military Police of the state of Amazonas, as a mounted policewoman. We would be riding around the grounds of the Cartel, the local MP headquarters where the horses were stabled.
Angelic in full parade dress (stolen from Facebook)
When Angelic arrived to pick me up, I kept asking if I should change from my shorts & flip-flops into jeans & boots, to which she kept giving enigmatic responses that is shouldn’t matter. I brought them along just in case. When we arrived at the Cartel and began outfitting the horses, I discovered why…
We were going to be riding bareback.
All I can say is – ladies, if you’re looking for an amazing workout for your thighs and are willing to endure some butt bruises, try bareback riding. I can barely pull my knees together my muscles are so sore, and I can’t imagine how they’re going to feel tomorrow.
Regardless of all that, I had a great time. My horse Comanche was very obedient, and there were only a few times I felt at all insecure riding him. Angelic’s horse Barón had a very proud way about him – he always kept his chin raised high in the air. Angelic commented that he was a stubborn horse, but she liked the way he carried himself. We first took the horses around an enclosed sand corral, then out to a nearby field to feed for a bit. After that we let then stretch their legs a little around the grounds of the cartel, until my aching backside could take no more. We hosed them down, returned them to their stables, and set off in search of food.
My new pal Comanche.
We found nourishment at a late-night open-air food court. Angelic explained to me the different kind of foods that were available, and I chose to order from the place she described as “more traditional sandwiches.” I had an X-burger – a hamburger with lettuce, a fried egg, a slice of ham, and melted cheese. I was overwhelmed by the variety of delicious, greasy proteins involved. It wasn’t until earlier today, on the way to the Manaus airport that Marnie explained to me what an X-burger meant, after I noted the same item advertised outside a restaurant.
The letter X in portuguese is pronounced “Sheez”.
Thus, “X-burger”, when said aloud, sounds like “Cheezeburger”.
Thus far, today has been uneventful, aside from hurried packing this morning and another delicious meal at the house of Yan’s friend Alex. At the airport, while waiting for my flight’s boarding time to come up, I sample Cajú juice, which comes from the “false fruit” of the cashew tree. It was sweet, with an aftertaste resembling toasted sesame seeds. Tearful goodbyes were said before I passed through the gate to the security checkpoint, and I boarded a plane to Sao Paulo.
I foresee no great drama between here and Asheville, so I’ll bring my Brazil diary to a close now.
Exotic foods, a wedding, dancing in the streets, rooftop parties, and bareback riding with a military policewoman… This has been a most memorable experience. I can scarcely believe that all that happened in only 7 days. I hope to return soon, and hopefully next time, I’ll have had time to learn a little of the language!
I can’t express how grateful I am for the hospitality and friendship shown to me by everyone I met. And when I arrive home, I may just have to make myself a Manaus-style X-burger.
To my new Manaus friends: Beijos! Voltarei em breve!
Today I got to experience a different side of the Amazonian region of Brazil. Around 11:00 we set off from Marnie & Yan’s apartment to visit her sítio – her country house. Before she & Yan got an apartment in the Educandos neighborhood of Manaus, this was here primary place of residence in Brazil. She purchased it from someone she described as “A crazy old man – no really, he was actually crazy.”
What she purchased is what I would describe as “squatter’s rights”. The entire village of Fatima, where her sítio is located, is technically on the property of a very wealthy Brazilian landowner, but Brazilian law states that if lands that were unused by a property owner are cared for by another for 3 years, the caretaker then has rights to the land and can not be evicted. Those rights can then be bought and sold, which is how Marnie came by the land. Apparently there’s a general opinion in Brazil, that if the wealthy have more than they can use, it should be shared with the poor. I feel like there could be some insightful political commentary made about how this pertains to the Occupy Wall Street movement, but I’ll leave that to someone else.
We arrived at the docks on the Rio Negro at around 11:30 – the sky was clear and the sun was blazing hot. At the docks, we again saw the effect the rise and fall of the water level has on those who rely on the river: since the available space along the shoreline was greatly diminished by the low water, the boats were all crowded very closely together, with only a few inches between them.
Low water = tightly packed boats.
We boarded a ferry, that could seat about 20 people, and were soon away from the docks and out on the river. The boat made a few stops along the way – one at a beach that I was told was usually very popular, but due to the low water level there was a danger of stingrays, and several people had been recently injured.
A few swimmers braved the stingrays...
The ferry dropped us off at the stop for Fatima, where again we saw the effects of the low water level. After scaling a 20-foot slope of sandy soil, Marnie pointed out a tree with exposed roots, and said that within a few months the base of the tree would be completely underwater.
In a few months, these roots will be underwater.
She also pointed out a pile of garbage bags, mentioning that the trash barge was currently unable to make it far enough inland to collect the trash, so it was just accumulating.
It was only about a mile’s walk to her sítio, but due to the high temperatures and blazing sun, we decided it would be a good idea to take one of the local “taxis”. While we waited for one to arrived, we sat in the shade at local shop, the owners of which Marnie is friends with. They were very friendly, and offered us drinks – at Marnie’s suggestion I opted for Baré Guaraná, a root-beer like beverage, only available in the Amazonas region. Delicious!
mmmm... tasty.
After we waited for about 15 minutes, a small pickup truck (more a car with a pickup bed – I’ve seen many of them since I arrived) passed the store, and one of the owners flagged it down for us. Marnie & I enjoyed the bumpy ride in the pickup bed, and within about 10 minutes were outside her gate.
She showed us around her property, which was populated with fruit-bearing trees of all sorts: Avocados, cashews, ingá (fleshy white fruits with large purple seeds, which are contained in pods several feet long), acaí and cupuaçu, among many others.
Marnie's sítio!
After straightening up the one-room house, on a small propane stove, using water pulled by hand from her well, she cooked a delicious meal of Jaraqui. It’s a small local fish, about which is said, “Quem come jaraqui, não sai mais daqui,” which translates to, “He who eats, jaraqui, never leaves here again!” Along with it she made vinagrete and rice – a simple country meal, but absolutely fantastic.
This picture makes me hungry.
A few hours later, the pickup taxi returned us to the docks, where I watched a boy – who couldn’t have been more than fourteen – attempting to push his water taxi away from the docks. Every time he tried to do so, his dog would leap back onto the dock, and he would have to chase it back to the boat. I captured a few seconds of video of that dog, which I thought I’d loop for you all in .gif format (this was after the boy finally wrangled him onto the boat and cast off).
Later that evening, back in the city, we went to a rooftop party at Marnie’s friend Telma’s house – a surprise birthday party for her friend Beth’s husband. The food was great, the music was loud, and the people were wonderful, but what was most memorable was the stairs we scaled to reach the roof!
Today I did not have the constitution for much, and neither did the rest of my family or my sister Marnie’s new husband Yan. Originally a boat trip had been planned to visit the point where the Rio Negro and Rio Salimoes meet to form the Amazon, but given everyone’s exhaustion and hangovers, it was cancelled.
I slept until 1:00PM. The seven hours of sleep were much needed.
Marnie & Yan opened some of their wedding presents today, with startling results. Before I continue, let me explain that the weather here is permanently humid, has nearly reached 90 degrees every day, and is like this most of the year. So when my sister & her new husband opened their gifts to discover that they had been given not one, not two, not three but EIGHT heavy comforters, all they could do was laugh and shake their heads. Apparently, comforters are considered a luxury item in this area of Brazil, and their guests wanted to get them the very best! Needless to say, some returns and exchanges are in their future.
...that's a lot of comforters.
Later in the evening we headed out for a dinner of fried meats, accompanied by the usual farofa, vinagrete, mayonaise (potato salad), and rice, and very strong caipiroskas (like caipirinhas, but with vodka instead of caçhasa). As with all the food I’ve had since I’ve been here it was fantastic.
Tasty fried meats!
Tomorrow a trip is planned to Marnie’s country house in Fatima. Time to rest!
I was up yesterday around 7:30 – hair and makeup were scheduled to be at Marnie’s apartment by 8:00, but were (no surprise!) late. I had offered to be photographer for all the festivities, so once I had downloaded all the pictures from the memory card of Marnie’s 60D, I began documenting the process of Marnie’s hair & makeup, interspersed with trying to get ready myself for the wedding. Marnie’s friends Luciano & Whilliam did a fantastic job making my sister even more beautiful than she usually does.
Isn't she lovely?
The wedding was officially supposed to begin at 11:00, but Marnie wasn’t ready yet, so anyone who showed up on time would just have to wait. Nobody seemed to concerned, and given what I’ve learned over the past few days about Brazilian culture, neither was I.
I had been appointed Marnie’s chauffeur, and we arrived at the church around 11:30. The building was about half-empty, but I was assured, “Most of the people will just come to the reception – all weddings here are exactly the same, so people are mostly interested in the party.”
The wedding was lovely, and went off without a hitch – except for me! About 1/3 of the way through the ceremony, I tripped over the tulle draped along the left of the aisle, taking down all the decorations on that side! In retrospect, I view it as taking Marnie’s bad luck, but I was mortified at the time. The clumsiness runs in the family – apparently when Yan looked back and saw what I’d done, he whispered to Marnie, “Yep, he’s your brother!”
The reception was right next door to my sister’s apartment, on a partially covered rooftop. When we arrived, the buffet table was already laden with foods, and various meats were being grilled on the un-sheltered section of the roof, and people wasted no time in filling their plates.
As I still had the camera slung around my neck, I quickly discovered something else about the citizens of Manaus – they’re wild about having their picture taken. Every few minutes someone requested that I take pictures of them, their friends, or their children. I also discovered what it is to be exotic – everyone there thought that I was irresistibly handsome, and my sister passed along the word to me that several thought I looked like a movie star! Children swarmed around me, asking me how to say certain english phrases, or asking what others meant (including “fuck you”), and teaching me their various handshakes.
Me and my biggest fan Hiram!
My cup was never empty – as soon as I started running low, either the groom, his father, or one of the waiters would be there to replace it with another glass of Brahma beer.
Towards the end of the reception, the invitation was extended to me by a group of Marnie’s friends – Luciano, Whilliam, Marcelo, Angelic and Erick – to join them at Alvorado Vermelha – “Red Dawn”. It was explained to me that this is a taste of the Boi-Bumbá festival that Marnie is studying for her PhD research, and a tribute to the way the festival used to be held. Until the 80s, the festival took place in the streets, as a sort of combined parade and team music & dance competition, but due to several traffic-related deaths, it was changed to a static event, held in a stadium. This event would begin with a concert, starting at 10:00PM, and end with a 3-mile walk to the beach, ending around 7:00AM.
The poster for Alvorada Vermelha - "Red Dawn"
Marnie assured me that they would make sure I got back safe the next day, her new husband lent me his cell phone, I ran back to the apartment to quickly change, and I was off – heading into a foreign city, with companions I’d know only a few hours, and me completely unable to speak the language. Why not?
Six of us piled into a small car, and we were soon speeding through the twisting roads of Manaus, to the other side of town, while Boi-Bumbá music blared from the Chevy’s speakers, and my companions sang along at the top of their lungs. We rested for a few hours at Marcelo’s house, and I attempted to sleep but had little luck. At around 9:00, everyone started getting ready – dressing in red and white outfits, which I learned were the colors of Garantido (“Guaranteed”), the bull team for which they cheer at the annual festival, because apparently everything in Brazil is a competition! I unfortunately had no red clothing to change into, but was happy that I was no longer wearing the blue shirt I had on for the wedding. Blue is the color of Caprichoso (“Capricious”), the arch-rival bull team to Garantido.
We headed to a venue called “Amazon City Hall” (the actual name, not a translation), and even before we went inside we were walking through a sea of red & white as the same music I’d heard on the drive boomed through the doors. Once we entered, on the stage I saw scantily clad men & women, adorned with colorful feathers, dancing intricate choreographies to booming latin music. “This is Amazonas music! The best music!” Angelic told me. What was fascinating was that the majority of the audience seemed to know these choreographies, and performed them along with the people on stage.
A Boi-Bumbá performer.
It took me about 20 minutes to get the basic step, and after a few hours I started to be able to follow the general patterns to the choreography. When a few of the most popular songs repeated, I was able to join in singing and dancing at a few spots. When my companions noticed this, they were ecstatic, and I was recipient of many enthusiastic high-fives.
The Boi-Bumbá festival is a celebration and retelling, through music and dance, of a traditional folk tale. From what I’ve gathered, Catirina is a pregnant woman, who asks her husband Pai Francisco, a ranchhand, to kill a bull for her. She insists that he must do this or their unborn baby will die. Unfortunately, the bull he chooses is a favorite of the ranch owner and the villagers, who turn on him and then bring the bull back to life through drumming and dance. This story was acted out, over the course of the evening, by the performers.
Garantido!
The show lasted until 4:00 in the morning, at which point the crowd (I hesitate to call them an audience, as that sounds so passive) poured out into the street. Garantido, the white bull with a red heart on his forehead, emerged a few minutes later (a performer or course, not an actual bull), and was escorted to the top of a large truck. The bateria – the traditional drum corps of the festival – followed about 50 paces behind, right in front of another truck, atop which stood an enthusiastic group of dancers, and an MC who lead the songs on the march. The next two hours were a slow dance-walk the three miles to the Rio Negro. We arrived at sunrise. I was thoroughly exhausted, and my feet were throbbing. I sat down on the steps overlooking the river, and nearly fell asleep right then and there.
My companions had had the foresight to park one car near the final destination. A few minutes later Angelic returned with her car, and drove me back to Marnie & Yan’s apartment. After a few minutes of pounding, the door was opened for me. I stumbled upstairs and within a few minutes I was fast asleep.
“Miscegeneção” – the smash hit from this year’s Boi-Bumbá competition in Parintins.